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The play "Thunderstorm" and its characters. The main characters of the play by A.N. Ostrovsky "Thunderstorm". Characteristics of Tikhon ("Thunderstorm") Characteristics of the images of the drama Thunderstorm

16.11.2021

The action of the play "Thunderstorm" takes place in the fictional town of Kalinov, which is a collective image of all the provincial towns of that time.
There are not so many main characters in the play "Thunderstorm", each must be said separately.

Katerina is a young woman married without love, "in a strange direction", God-fearing and pious. In the parental home, Katerina grew up in love and care, prayed and enjoyed life. Marriage for her turned out to be a difficult test, which her meek soul opposes. But, despite outward timidity and humility, passions boil in Katerina's soul when she falls in love with a strange man.

Tikhon - Katerina's husband, a kind and gentle person, loves his wife, pities her, but, like all households, obeys his mother. He does not dare to go against the will of the "mother" throughout the play, as well as openly tell his wife about his love, since the mother forbids this, so as not to spoil his wife.

Kabanikha - the widow of the landowner Kabanov, mother of Tikhon, mother-in-law of Katerina. A despotic woman, in whose power the whole house is, no one dares to take a step without her knowledge, fearing a curse. According to one of the heroes of the play, Kudryash, Kabanikh - “a hypocrite, gives to the poor, but eats homemade food.” It is she who tells Tikhon and Katerina how to build their family life in the best traditions of Domostroy.

Varvara is Tikhon's sister, an unmarried girl. Unlike her brother, she obeys her mother only for the sake of appearances, while she herself secretly runs on dates at night, inciting Katerina to do so. Its principle is that you can sin if no one sees, otherwise you will spend your whole life next to your mother.

The landowner Dikoy is an episodic character, but personifying the image of a “tyrant”, i.e. those in power who are sure that money gives the right to do whatever your heart desires.

Boris, Diky's nephew, who arrived in the hope of receiving his share of the inheritance, falls in love with Katerina, but cowardly runs away, leaving the woman he seduced.

In addition, Kudryash, Wild's clerk, is participating. Kuligin is a self-taught inventor, constantly trying to introduce something new into the life of a sleepy town, but is forced to ask Wild for money for inventions. The same, in turn, being a representative of the "fathers", is sure of the futility of Kuligin's undertakings.

All the names and surnames in the play are "speaking", they tell about the character of their "masters" better than any actions.

She herself vividly shows the confrontation between the "old" and "young". The former actively resist all sorts of innovations, complaining that young people have forgotten the orders of their ancestors and do not want to live "as expected." The latter, in turn, are trying to free themselves from the yoke of parental orders, they understand that life is moving forward, changing.

But not everyone decides to go against the parental will, someone - because of the fear of losing their inheritance. Someone - accustomed to obey their parents in everything.

Against the backdrop of flourishing tyranny and precepts of Domostroy, the forbidden love of Katerina and Boris blossoms. Young people are drawn to each other, but Katerina is married, and Boris depends on his uncle for everything.

The heavy atmosphere of the city of Kalinov, the pressure of the evil mother-in-law, the thunderstorm that has begun, force Katerina, tormented by remorse because of her betrayal of her husband, to confess everything in public. The boar rejoices - she turned out to be right in advising Tikhon to keep his wife "strict". Tikhon is afraid of his mother, but her advice to beat his wife so that she knows is unthinkable for him.

The explanation of Boris and Katerina further aggravates the situation of the unfortunate woman. Now she has to live away from her beloved, with her husband, who knows about her betrayal, with his mother, who will now definitely exhaust her daughter-in-law. Katerina's piety leads her to think that there is no more reason to live, the woman throws herself off a cliff into the river.

Only after losing the woman he loves does Tikhon realize how much she meant to him. Now he will have to live all his life with the understanding that his callousness and obedience to his tyrant mother led to such an ending. The last words of the play are the words of Tikhon, pronounced over the body of his dead wife: “Good for you, Katya! And why in the world did I stay to live and suffer!

The play "Thunderstorm" is the most famous creation of Alexander Nikolayevich Ostrovsky. Each hero of this work is a unique personality that takes its place in the system of characters. Noteworthy in this regard is the characteristic of Tikhon. The Thunderstorm, a play whose main conflict is based on the confrontation between the strong and the weak, is interesting for its oppressed heroes, including our character.

The play "Thunderstorm"

The play was written in 1859. The scene is the fictional city of Kalinov, which stands on the banks of the Volga. Time of action - summer, the whole work covers 12 days.

According to its genre, "Thunderstorm" refers to the social drama. Ostrovsky paid much attention to the description of the everyday life of the city, the characters of the work come into conflict with the established orders, which have long become obsolete, and the despotism of the older generation. Of course, Katerina (the main character) expresses the main protest, but her husband also occupies not the last place in the rebellion, which is confirmed by Tikhon's characterization.

"Thunderstorm" is a work that tells about human freedom, about the desire to break out of the shackles of outdated dogmas, religious authoritarianism. And all this is depicted against the backdrop of the failed love of the main character.

Image system

The system of images in the play is built on the opposition of tyrants who are used to commanding everyone (Kabanikha, Dikoy), and young people who want to finally find freedom and live by their own mind. Katerina leads the second camp, only she has the courage to open confrontation. However, other young characters also strive to get rid of the yoke of dilapidated and meaningless rules. But there are those who reconciled, and not the last among them is Katerina's husband (below is a detailed description of Tikhon).

"The Thunderstorm" draws the world of the "dark kingdom", only the heroes themselves can destroy it or die, like Katerina, misunderstood and rejected. It turns out that the petty tyrants who seized power and their laws are too strong, and any rebellion against them leads to tragedy.

Tikhon: characteristic

"Thunderstorm" is a work where there are no strong male characters (with the exception of Wild). So, Tikhon Kabanov appears only as a weak-willed, weak and intimidated by his mother man, unable to protect his beloved woman. The characterization of Tikhon from the play "Thunderstorm" shows that this hero is a victim of the "dark kingdom", he lacks the determination to live with his own mind. Whatever he does and wherever he goes - everything happens according to the will of the mother.

As a child, Tikhon was accustomed to follow the orders of the Kabanikh, and this habit remained in him in his mature years. Moreover, this need to obey is so ingrained that even the thought of disobedience plunges him into horror. Here is what he himself says about this: “Yes, mama, I don’t want to live by my own will.”

The characteristic of Tikhon ("Thunderstorm") speaks of this character as a person who is ready to endure all the mockery and rudeness of his mother. And the only thing he dares to do is the desire to break out of the house to have a spree. This is the only freedom and liberation available to him.

Katerina and Tikhon: characteristics

"Thunderstorm" is a play where one of the main storylines is love, but how close is it to our hero? Yes, Tikhon loves his wife, but in his own way, not in the way that Kabanikha would like. He is affectionate with her, does not want to dominate the girl, intimidate her. However, Tikhon does not understand Katerina and her mental suffering at all. His softness has a detrimental effect on the heroine. If Tikhon had been a little more courageous and possessed at least some will and ability to fight, Katerina would not have needed to look for all this on the side - in Boris.

The characterization of Tikhon from the play "Thunderstorm" exposes him in a completely unattractive light. Despite the fact that he reacted calmly to his wife's betrayal, he was unable to protect her either from his mother or from other representatives of the "dark kingdom". He leaves Katerina alone despite his love for her. The non-intervention of this character was largely the cause of the final tragedy. Only realizing that he lost his beloved, Tikhon ventures into an open rebellion against his mother. He accuses her of the death of the girl, no longer fearing her tyranny and power over him.

Images of Tikhon and Boris

A comparative description of Boris and Tikhon ("Thunderstorm") allows us to conclude that they are similar in many respects, some literary critics even call them twin heroes. So, what do they have in common, and how are they different?

Not finding the necessary support and understanding from Tikhon, Katerina turns to Boris. What was it about him that attracted the heroine so much? First of all, he differs from other residents of the city: he is educated, graduated from the academy, dresses in a European manner. But that's just the outside, what's on the inside? In the course of the story, it turns out that he depends on the Wild in the same way as Tikhon depends on the Boar. Boris is weak-willed and spineless. He says that he keeps only his inheritance, having lost it, his sister will become a dowry. But all this seems like an excuse: he endures all the humiliations of his uncle too humbly. Boris sincerely falls in love with Katerina, but he does not care that this love will destroy a married woman. He, like Tikhon, worries only about himself. In words, both of these heroes sympathize with the main character, but they do not have enough fortitude to help her, protect her.

Boris Grigorievich - nephew of Wild. He is one of the weakest characters in the play. B. himself says about himself: “I walk around completely dead ... Driven, hammered ...”
Boris is a kind, well-educated person. It stands out sharply against the background of the merchant environment. But he is weak by nature. B. is forced to humiliate himself in front of his uncle, Wild, for the sake of hope for the inheritance that he will leave him. Although the hero himself knows that this will never happen, he nevertheless fawns before the tyrant, enduring his antics. B. is unable to protect himself or his beloved Katerina. In misfortune, he only rushes about and cries: “Oh, if only these people knew how it feels for me to say goodbye to you! My God! God grant that someday it will be as sweet for them as it is now for me ... You villains! Fiends! Oh, if only there was strength! But B. does not have this power, so he is not able to alleviate Katerina's suffering and support her choice, taking her with him.


Varvara Kabanova- daughter of Kabanikhi, sister of Tikhon. We can say that life in the house of Kabanikhi morally crippled the girl. She also does not want to live according to the patriarchal laws that her mother preaches. But, despite his strong character, V. does not dare to openly protest against them. Its principle is “Do whatever you want, as long as it’s sewn and covered.”

This heroine easily adapts to the laws of the "dark kingdom", easily deceives everyone around her. It became a habit for her. V. claims that it is impossible to live otherwise: their whole house is based on deceit. “And I was not a liar, but I learned when it became necessary.”
V. was cunning as long as it was possible. When they began to lock her up, she ran away from home, inflicting a crushing blow on Kabanikha.

Wild Savel Prokofich- a rich merchant, one of the most respected people in the city of Kalinov.

D. is a typical tyrant. He feels his power over people and complete impunity, and therefore creates what he wants. “There are no elders above you, so you are swaggering,” Kabanikha explains the behavior of D.
Every morning his wife begs those around her with tears: “Fathers, don’t make me angry! Doves, don't be angry! But it's hard not to make D. angry. He himself does not know in what mood he can come in the next minute.
This "cruel scolder" and "piercing man" is not shy in expressions. His speech is filled with words like "parasite", "Jesuit", "asp".
But D. “attacks” only on people weaker than himself, on those who cannot fight back. But D. is afraid of his clerk Kudryash, who is reputed to be a rude man, not to mention Kabanikh. D. respects her, moreover, she is the only one who understands him. After all, sometimes the hero himself is not happy with his tyranny, but he cannot help himself. Therefore, Kabanikha considers D. a weak person. Kabanikha and D. are united by belonging to the patriarchal system, following its laws, and anxiety about the upcoming changes around.

Boar -Not recognizing the changes, development and even diversity of the phenomena of reality, Kabanikha is intolerant and dogmatic. It “legitimizes” habitual forms of life as an eternal norm and considers it its highest right to punish those who have violated the laws of everyday life in a big or small way. Being a staunch supporter of the immutability of the entire way of life, the "eternity" of the social and family hierarchy and the ritual behavior of each person who takes his place in this hierarchy, Kabanikha does not recognize the legitimacy of the individual differences of people and the diversity of peoples' lives. Everything that distinguishes the life of other places from the life of the city of Kalinov testifies to “infidelity”: people who live differently from Kalinovtsy should have dog heads. The center of the universe is the pious city of Kalinov, the center of this city is the house of the Kabanovs, - this is how the experienced wanderer Feklusha characterizes the world for the sake of a harsh mistress. She, noticing the changes taking place in the world, argues that they threaten to “belittle” time itself. Any change appears to the Kabanikha as the beginning of sin. She is a champion of a closed life that excludes communication between people. They look out the windows, in her opinion, from bad, sinful motives, leaving for another city is fraught with temptations and dangers, which is why she reads endless instructions to Tikhon, who is leaving, and makes him demand from his wife that she does not look out the windows. Kabanova listens with sympathy to stories about the "demonic" innovation - "cast iron" and claims that she would never have traveled by train. Having lost an indispensable attribute of life - the ability to change and die, all the customs and rituals approved by Kabanikha turned into an "eternal", inanimate, perfect in its kind, but empty form


Katerina-but is incapable of perceiving the rite outside its content. Religion, family relations, even a walk along the banks of the Volga - everything that among the Kalinovites, and especially in the Kabanovs' house, has turned into an outwardly observed set of rituals, for Katerina is either full of meaning or unbearable. From religion she derived poetic ecstasy and a heightened sense of moral responsibility, but she is indifferent to the form of ecclesiasticism. She prays in the garden among the flowers, and in the church she sees not a priest and parishioners, but angels in a beam of light falling from the dome. From art, ancient books, icon painting, wall painting, she learned the images she saw on miniatures and icons: “golden temples or some extraordinary gardens ... and the mountains and trees seem not to be the same as usual, but as in the images write” - all this lives in her mind, turns into dreams, and she no longer sees painting and a book, but the world in which she moved, hears the sounds of this world, smells it. Katerina bears in herself a creative, ever-living principle, generated by the irresistible needs of the time, she inherits the creative spirit of that ancient culture, which she seeks to turn into an empty form of Kabanikh. Throughout the action, Katerina is accompanied by the motive of flight, fast driving. She wants to fly like a bird, and she dreams about flying, she tried to swim away along the Volga, and in her dreams she sees herself racing on a troika. She turns to both Tikhon and Boris with a request to take her with her, to take her away.

TikhonKabanov- Katerina's husband, son of Kabanikha.

This image in its own way indicates the end of the patriarchal way of life. T. no longer considers it necessary to adhere to the old ways in everyday life. But, by virtue of his nature, he cannot do as he sees fit and go against his mother. His choice is worldly compromises: “Why listen to her! She needs to say something! Well, let her talk, and you pass by your ears!
T. is a kind, but weak person, he rushes between fear of his mother and compassion for his wife. The hero loves Katerina, but not in the way that Kabanikha requires - severely, "like a man." He does not want to prove his power to his wife, he needs warmth and affection: “Why should she be afraid? It's enough for me that she loves me." But Tikhon does not receive this in the house of Kabanikhi. At home, he is forced to play the role of an obedient son: “Yes, mama, I don’t want to live by my own will! Where can I live with my will! His only outlet is business trips, where he forgets all his humiliations by drowning them in wine. Despite the fact that T. loves Katerina, he does not understand what is happening to his wife, what mental anguish she is experiencing. T.'s softness is one of his negative qualities. It is because of her that he cannot help his wife in her struggle with passion for Boris, he cannot alleviate the fate of Katerina even after her public repentance. Although he himself reacted gently to his wife’s betrayal, not being angry with her: “Here’s mother says that she must be buried alive in the ground so that she will be executed! And I love her, I'm sorry to touch her with my finger. Only over the body of his dead wife T. decides to rebel against his mother, publicly blaming her for the death of Katerina. It is this rebellion in front of people that inflicts the most terrible blow on Kabanikha.

Kuligin- “a tradesman, a self-taught watchmaker looking for a perpetuum mobile” (i.e., a perpetual motion machine).
K. is a poetic and dreamy nature (admires the beauty of the Volga landscape, for example). His first appearance was marked by the literary song "Among the flat valley ..." This immediately emphasizes K.'s bookishness, his education.
But at the same time, K.'s technical ideas (installing a sundial in the city, a lightning rod, etc.) are clearly outdated. This "obsoleteness" emphasizes the deep connection between K. and Kalinov. He, of course, is a “new person”, but he developed inside Kalinov, which cannot but affect his attitude and philosophy of life. The main business of K.'s life is the dream of inventing a perpetual motion machine and getting a million from the British for it. This million "antique, chemist" Kalinova wants to spend on his native city: "the work must be given to the bourgeoisie." In the meantime, K. is content with smaller inventions for the benefit of Kalinov. On them, he is forced to constantly beg for money from the rich people of the city. But they do not understand the benefits of K.'s inventions, they ridicule him, considering him an eccentric and crazy. Therefore, Kulig's passion for creativity remains unrealized within the walls of Kalinov. K. pities his countrymen, seeing in their vices the result of ignorance and poverty, but he cannot help them in anything. So, his advice to forgive Katerina and no longer remember her sin is unfulfillable in the Kabanikh's house. This advice is good, it comes from humane considerations, but does not take into account the characters and beliefs of the Kabanovs. Thus, with all the positive qualities, K. is a contemplative and inactive nature. His beautiful thoughts will never grow into beautiful actions. K. will remain Kalinov's eccentric, his peculiar attraction.

Feklusha- a stranger. Wanderers, holy fools, blessed - an indispensable sign of merchant houses - are mentioned by Ostrovsky quite often, but always as off-stage characters. Along with those who wandered for religious reasons (went on a vow to bow to shrines, collected money for the construction and maintenance of temples, etc.), there were quite a few simply idle people who lived at the expense of the generosity of the population that always helped the wanderers. These were people for whom faith was only a pretext, and reasoning and stories about shrines and miracles were the subject of trade, a kind of commodity with which they paid for alms and shelter. Ostrovsky, who did not like superstition and sanctimonious manifestations of religiosity, always mentions wanderers and the blessed in ironic tones, usually to characterize the environment or one of the characters (see especially “There is enough simplicity for every wise man”, scenes in Turusina’s house). Ostrovsky brought such a typical wanderer onto the stage once - in The Thunderstorm, and the role of F., small in terms of text, became one of the most famous in the Russian comedy repertoire, and some of F.'s remarks entered everyday speech.
F. does not participate in the action, is not directly connected with the plot, but the significance of this image in the play is very significant. Firstly (and this is traditional for Ostrovsky), she is the most important character for characterizing the environment in general and Kabanikha in particular, in general for creating the image of Kalinov. Secondly, her dialogue with Kabanikha is very important for understanding Kabanikha's attitude to the world, for understanding her inherent tragic sense of the collapse of her world.
Appearing on stage for the first time immediately after Kuligin's story about the "cruel morals" of the city of Kalinov and immediately before the exit of Ka-banikha, mercilessly sawing the children accompanying her, with the words "Bla-a-lepie, dear, blah-a-le-pie!", F. especially praises the house of the Kabanovs for their generosity. Thus, the characterization given to Kabanikha by Kuligin is reinforced (“The hypocrite, sir, he clothes the poor, but completely ate the household”).
The next time we see F. is already in the Kabanovs' house. In a conversation with the girl Glasha, she advises to look after the wretched, "wouldn't have pulled off something," and hears an annoyed remark in response: "Whoever sorts you out, you all rivet each other." Glasha, who repeatedly expresses a clear understanding of people and circumstances well known to her, innocently believes F.'s stories about countries where people with dog heads are "for infidelity." This reinforces the impression that Kalinov is a closed world, ignorant of other lands. This impression is further enhanced when F. begins to tell Kabanova about Moscow and the railway. The conversation begins with F.'s statement that the "end times" are coming. A sign of this is the widespread fuss, haste, pursuit of speed. F. calls the steam locomotive “a fiery serpent”, which they began to harness for speed: “others from the fuss do not see anything, so it shows them a car, they call it a car, and I saw how it paws like this (spreads its fingers) does . Well, and the groan that people of a good life hear like that. Finally, she reports that "time began to diminish" and for our sins "everything is getting shorter and shorter." The apocalyptic reasoning of the wanderer listens sympathetically to Kabanov, from whose remark that ends the scene, it becomes clear that she is aware of the impending death of her world.
The name F. has become a household name for a dark hypocrite, under the guise of pious reasoning, spreading all sorts of ridiculous fables.

We bring to your attention a list of the main characters of Ostrovsky's play "Thunderstorm".

Savel Prokofievich Dik about th - merchant, a significant person in the city. A scolding, piercing man, this is how those who personally know him characterize him. He really doesn't like giving money. Whoever asks him for money, he certainly tries to scold. He tyrannizes his nephew Boris, and is not going to pay him and his sister money from the inheritance.

Boris Grigorievich, his nephew, a young man, decently educated. He loves Katerina sincerely, with all her heart. But he can't decide anything on his own. There is no male initiative, no strength in him. Floats with the flow. They sent him to Siberia, and he went, although in principle he could refuse. Boris confessed to Kuligin that he endured his uncle's whims for the sake of his sister, hoping that he would pay at least something from his grandmother's will for her dowry.

Marfa Ignatievna Kabanova(Kabanikha), a rich merchant's wife, a widow - a tough, even cruel woman. Keeps the whole family under his heel. He behaves piously with the people. Adheres to house-building customs in a form distorted by its concepts. But home tyrannizes how much in vain.

Tikhon Ivanovich Kabanov her son is a sissy. A quiet, downtrodden little man, unable to solve anything on his own. Tikhon loves his wife, but he is afraid to show his feelings for her, so as not to anger his mother once again. Life in the house with his mother is unbearable for him, and he was glad to leave for 2 weeks. When Katerina repented, he asked his wife, so that only not with her mother. He understood that for her sin, not only Katerina's mother, but also him himself would be pecked. He himself is ready to forgive his wife for this feeling for another. He beat her a little, but only because her mother ordered. And only over the corpse of his wife throws the reproach of the mother that it was she who killed Katerina.

Katerina - Tikhon's wife The main character of "Thunderstorm". She received a good, pious upbringing. God-fearing. Even the townspeople noticed that when she prays, it is as if light emanates from her, she becomes so peaceful at the moment of prayer. Katerina confessed to Varvara that she secretly loves another man. Varvara arranged a date for Katerina, and all 10 days while Tikhon was away, she met with her lover. Katerina understood that this was a grave sin, and therefore, on the very first laziness upon arrival, she repented to her husband. She was pushed to repentance by a thunderstorm that broke out, an old half-crazy lady, who frightened everyone and everything with fiery hell. She pities Boris and Tikhon, and blames only herself for everything that happened. At the end of the play, she throws herself into the pool and dies, although suicide is the most serious sin in Christianity.

Barbara - Tikhon's sister A lively girl, with a cunning, unlike Tikhon, does not bend in front of her mother. Her life credo: do what you want, if only it was sewn and covered. Secretly from his mother, he meets at night with Curly. She also arranged a date between Katerina and Boris. At the end, when they began to lock her up, she runs away from the house with Curly.

Kuligin - tradesman, watchmaker, self-taught mechanic looking for a perpetuum mobile. It is no coincidence that Ostrovsky gave this hero a surname consonant with the famous mechanic - Kulibin.

Vanya Kudryash, - a young man, Dikov's clerk, Varvara's friend, a cheerful guy, cheerful, loves to sing.

Minor heroes of the "Thunderstorm":

Shapkin, tradesman.

Feklusha, stranger.

Glasha, a girl in Kabanova's house - Glasha hid all the tricks of Varvara, supported her.

Lady with two lackeys, an old woman of 70 years old, half-mad - frightens all the townspeople with a terrible judgment.

City dwellers of both sexes.